All Projects
(43)The full archive across 3D, design and AI. Filter by discipline, then click any project to open its gallery.
Project archive
Falco AI
Commercial presentation for Falco, mixing 3D and AI. It explains how their drone works: it watches over an environment on its own and uses AI to raise an alert the moment something happens — a fire, or anything else that should not be there. Thank you God for everything!
Box Box
A personal AI piece inspired by the world of Cars, built around its Formula 1 character. The car is back in the box at the end of the day and drifting off to sleep, and the shots circle it slowly, the way a camera would move around something you don't want to wake. Thank you God for everything!
Aqua Rossa
Commercial piece for Aqua Rossa, built entirely in 3D and made to travel on Instagram: a giant pomegranate falls, bursts open on impact, and the can is what comes out of it. The burst itself — the shell splitting and the seeds scattering — was simulated in Houdini. Thank you God for everything!
Porsche 911 GT3 Cup
A personal visualization study of the Porsche 911 GT3 Cup, staged as a controlled studio shoot rather than a road scene. Every light was placed to read the car's surfaces and aerodynamic lines, and the piece was rendered in Unreal Engine 5 with Lumen. Thank you God for everything!
PARQ Dino
3D visualization for PARQ, a company building villas in Bali, created together with Mamontov Production. Made as a social piece: a dinosaur rises out of the middle of the pool while the villa itself stays the real subject. The scene was built and rendered in Unreal Engine 5, with the water simulated in Houdini. Thank you God for everything!
Kudo
Commercial AI piece for KUDO Store, made as the intro of their website. A monkey studies a Pokémon card, and the card resolves into the KUDO logo. Thank you God for everything!
Mamontov × Litenergy
Promo film for the energy drink LITENERGY, produced with Mamontov Production for the YouTuber LITVIN. The brief asked for a fast, aggressive piece pairing a BMW M8 with the product: I handled the car animation, scene build, lighting, rendering and the smoke simulation. Thank you God for everything!
Keyvany
Commercial cinematic for Keyvany, made with Ekarthaan Studios and delivered in a single week: the presentation of their new body kit on the Ferrari 296. The kit was modelled from scratch and the reveal is driven by a cloth simulation. Thank you God for everything!
Dopamine
Commercial presentation for DOPAMINE, a new gaming lounge in Dubai. I built the whole desert scene in Unreal Engine — lighting, camera and rendering — and simulated the sand reacting to the hand in Houdini. Thank you God for everything!
Allart Center
Commercial piece for Allart Center, made for Instagram, mixing 3D and AI. Allart Center sells and installs windows, so for Christmas I built a giant window wrapped like a gift: the Colosseum behind it was generated with AI, while the window and its animation were built in 3D. Thank you God for everything!
A Good Song Never Dies
Music video for SAINT MOTEL, produced by Disklif Production together with JcenterS Studio. I handled all the cars — rigging, animation, materials and Unreal Engine blueprints — the visual effects including the closing crash built from scratch in Houdini, and the tunnel and crash-site environments. Thank you God for everything!
PARQ Whale
Commercial 3D presentation for PARQ, who build villas in Bali, made together with Mamontov Production. It shows the villas as they will be, with a whale breaching in the sea beyond them. Thank you God for everything!
BMW M4
A personal 3D project built around the BMW M4 G82, one of my favourite BMWs. No story and no product: just the car, lit and staged to be looked at. Thank you God for everything!
Remember the cost
A personal short film about temptation and what it really costs. I filmed myself, then rebuilt the locations and most of the shots with AI tools. The piece places the viewer inside the Passion, in the position of the soldier, so that a private struggle is seen from the other side. Thank you God for everything!
LUXO
Commercial piece for Luxo Experience, built entirely in 3D to drive bookings on Instagram. An ordinary working day, an ordinary work van — and then the van becomes a BMW M4 Competition, because that is what renting one is supposed to feel like. Thank you God for everything!
Blu Roma
Commercial reel for Hotel Barberini, built entirely in 3D. The hotel's logo is a bee, so the piece fills the frame with balloons shaped like bees — made to entertain and to travel on Instagram. Thank you God for everything!
Extreme Ratio
Commercial presentation for Extreme Ratio, built entirely in 3D: their multi-purpose knife, shown for what it is. The work is all in the materials — steel, coating and grip — lit so the edges and the finishes hold up at close range. Thank you God for everything!
Story of China Riccardi
CGI production film for China Riccardi, built to present the brand through one continuous sequence. The shot was assembled and rendered in Unreal Engine 5 using both Lumen and Path Tracing, with the dynamics simulated in Houdini. Thank you God for everything!
But Why?
A personal AI short built around a penguin that wanders off and ends up alone in the mountains. It started from a video trend going around on Instagram, which I took further by giving the journey a destination: a cave, and inside it a Ferrari Formula 1 car. Thank you God for everything!
Hogwarts Switch
A personal AI project. I filmed myself on an iPhone 13, then used AI models to replace the background and the clothes shot by shot, dropping myself into a series of different locations. Thank you God for everything!
NB Airline
Commercial film for NB Professional, built entirely in 3D to announce the brand's arrival in Italy. A plane leaves Brazil, where NB was born, loaded with the products, and lands in Rome. Thank you God for everything!
Padel Park
Commercial AI piece for the Padel Park sports centre. A hot-air balloon shaped like a padel ball floats over Rome carrying a full padel court, with four players in the middle of a match. Thank you God for everything!
Oro Facile
Commercial piece for Oro Facile, made to go viral on Instagram. A giant gold bar drops onto the entrance of the Galleria in Milan — the whole idea is the weight of it. Thank you God for everything!
Cask
Commercial film for China Riccardi, built entirely in 3D. It follows the making of China Riccardi from the raw ingredients through to the finished product, with the cask at the centre of the story. Thank you God for everything!
UltraE
Commercial presentation for ULTRA-E's new UE60 truck. The brief was to show the vehicle and explain how it works, so the piece pairs a rendered walkaround with on-screen infographics; I handled the scene build, texturing, animation, edit and graphics. Thank you God for everything!
Riyadh POD
Commercial presentation of the transport pods planned for Riyadh, made to explain how they work. The scene was built in Unreal Engine, the cars animated in 3ds Max, the pod animated along a spline in Maya, and the car-to-pod transformation handled in Houdini. Thank you God for everything!
NB Liss
Commercial film for NB Professional, built entirely in 3D. Same family as the airline piece: the products arriving in Italy, this time landing in Milan. Thank you God for everything!
Spritzeria
Commercial reel for Spritzeria Barberini, built entirely in 3D. Same family as the Blu Roma piece: made to entertain and to travel on Instagram rather than to explain anything. Thank you God for everything!
The Basket AI
Commercial reel for The Basket, made entirely with AI. It sells the very thing it is made of: their AI content-creation service. Thank you God for everything!
The Basket web
Commercial reel for The Basket, made entirely with AI. Same family as their AI reel, this one selling the e-commerce and web side of the service. Thank you God for everything!
The Basket x F1
A piece for The Basket's own portfolio, built around the Formula 1 film released in 2025. It borrows the pacing and the framing of that world and puts them to work for the brand. Thank you God for everything!
Barberini Bee — Campaign
Commercial reel for Hotel Barberini, made entirely with AI. Same idea as the Blu Roma piece — the hotel's bee turned into something people want to watch and share — built this time without any 3D. Thank you God for everything!
Barberini Bee — Stories
Commercial piece for Hotel Barberini, cut for Instagram Stories and made entirely with AI. Part of the same bee campaign, reframed for the vertical format. Thank you God for everything!
Glock 17 Gen5
A personal subdivision-modelling study of the Glock 17 Gen5, made to push clean topology on a hard-surface object. Modelled in Maya, textured in Substance Painter and rendered with both Unreal Engine Path Tracing and Arnold. Thank you God for everything!
Skyline R34 Top Secret
Commercial work for Top Secret: their Nissan Skyline R34 build. The body kit was modelled from scratch in Maya and the car was staged and rendered in Unreal Engine 5. Thank you God for everything!
IKEA Interior
A personal interior visualization of an IKEA-furnished living space. Built in 3ds Max and rendered with Corona, with the lighting set to read as real daylight. Thank you God for everything!
The Basket Easter
Easter piece for The Basket, made for Instagram Stories entirely with AI. A seasonal greeting built to look like a lot more than a greeting. Thank you God for everything!
Padel Ball
A personal 3D piece made to entertain on Instagram. The action builds on the padel court — the rallies, the ball, the movement — and resolves into a poster inviting you to the tournament. Thank you God for everything!
Miratorg
Commercial work for Miratorg: my part of the advertising film for their new product. I built the condensation running down the bottle — droplets generated procedurally in Houdini, then driven by a FLIP simulation so the motion reads as real. Thank you God for everything!
Nail Lab Beauty
Commercial VFX piece for Nail Lab, built entirely in 3D. A giant bottle of their polish falls onto their own headquarters: I simulated the polish in Houdini and handled the tracking and scene assembly in Blender so it sits correctly in the real plate. Thank you God for everything!
TRACE
Commercial piece for Metatrace, whose app turns cars into NFTs. I put those cars on screen and built an advertising piece around them, made to hold attention on Instagram rather than explain itself. Thank you God for everything!
Church
A personal exterior visualization of a church. Built in 3ds Max, rendered with Corona and finished in Photoshop, with the sky and the grade set to give the building a calm, monumental read. Thank you God for everything!
Mobs
A personal interior visualization study. The space was built in 3ds Max and rendered with Corona, with the composition kept simple so that light and materials carry the image. Thank you God for everything!
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